Category Archives: Adric

Earthshock

I wasn’t sure what to make of Earthshock by about half-way through. The trouble with the Cybermen is, since Tom Baker encountered them in Revenge of the Cybermen, they’ve been a bit rubbish. For all their talk of lacking emotional weakness, they clearly display emotions themselves, from sadistic glee at watching others die, to frustration at being foiled. They’re just regular evil villains with a regular evil villain boss, and voices that somehow lack the creepy synthetic monotone of the 60s versions. Ironically, then, a downgrade.

The Cybermen watch clips of the previous Doctors' encounters with them. This was a nice touch. How things have changed!

The Cybermen watch clips of the previous Doctors’ encounters with them. This was a nice touch. How things have changed!

But in this case, I can forgive the slightly rubbish Cybermen, as the setup is one of the best. Unlike The Invasion, where Cybermen are already overrunning the Earth, here we have a classic isolated environment, a ship full of dormant Cybermen on a collision course. This potential doomsday scenario raises the stakes without over-egging the threat. Part 1 is a creepy little adventure in itself, as two of the android servants skulk around in a dark cave, picking off the squad of troopers, before the adventure is whisked off into space, troopers in tow. This is quite neatly written, with those fossils in the caves foreshadowing the explosive events at the conclusion, and the argument with Adric foreshadowing his ultimate demise.

The Doctor is letting the public into the Tardis a little too casually lately. Admittedly, the Cybermen forced their way in.

The Doctor is letting the public into the Tardis a little too casually lately. Admittedly, the Cybermen forced their way in.

This is not the first time a companion has been offed, but I wouldn’t count Katarina as a “main character”, so this is definitely a bold move. Admittedly, I never liked Adric, but I honestly didn’t expect him to die. The Doctor could be planning to go back in time and rescue him or something, but that would be pretty cheap. Besides, the silent end credits kind of said “this is final, be sad”. I applaud the bravery of finally doing this, of not simply concocting a last-minute rescue like every other story seems to do.

As is often the case in Doctor Who, the action scenes are poor. The lasers look particularly bad.

As is often the case in Doctor Who, the action scenes are poor. The lasers look particularly bad.

That’s one of the good things about Earthshock, how utterly powerless the Doctor is. He is completely at the mercy of the Cybermen, forced to do their bidding as officers and crew are killed around him. The conclusion is particularly clever, then; it’s not that the Cybermen failed to wipe out life on Earth, it’s just that they chose the wrong time to do it. Or the right time, depending on how you look at it. The rise of mammals are all thanks to them. Not content with simply burning down London, the Doctor is now responsible for sentient life developing on Earth. That’s pretty cool.

See ya, Adric.

See ya, Adric.

Black Orchid

I’m often critical of stretching or padding out stories over more parts than necessary, and although the show has settled into a rhythm of four-part serials, it’s still nice to shake things up now and then.

Nyssa meets her doppleganger, Ann. What is it with Doctor Who and dopplegangers?

Nyssa meets her doppleganger, Ann. What is it with Doctor Who and dopplegangers?

This simple two-part story was presumably quite cheap to make, with minimal effects and an Earthly location. It’s something of a holiday for the characters, too, who get to let their hair down and relax. Consequently, none of them irritate or frustrate like they would in a threatening situation; not even Adric, who spends much of the story filling up on buffet food. And the Doctor gets to show how good he is at cricket.

It's not like clowns aren't scary enough without there being deranged murderers inside of them.

It’s not like clowns aren’t scary enough without there being deranged murderers inside of them.

If anything, the larking about takes up too much of the runtime, with the mutilated murdering botanist plot having to wrap itself up in record time. I was quite enjoying the Doctor getting arrested and no-one believing his story, but that lasts for all of three minutes before we’re back at the mansion and rescuing Nyssa from the roof. The orchid explanation is blurted out as a mere aside to the action.

A horribly disfigured George Cranleigh abducts Nyssa, thinking she is his former fiancée.

A horribly disfigured George Cranleigh abducts Nyssa, thinking she is his former fiancée.

The plot may be brisk, and reliant upon a series of coincidences, but it’s a fun diversion. Not every story has to be a world-ending drama – there’s a lot to be said for simple character pieces, and this was a tragic tale in its own little way.

The Visitation

Poor Tegan just wants to get back to Heathrow Airport. Credit to the Doctor that he manages to land the Tardis in the right place, but unfortunately he’s about 300 years too early. It is by astonishing coincidence (or simply the Tardis’ “Adventure Detector”) that they land in the middle of an alien plot to wipe out London with a virus spread by rats. Yep, they did a “plague” story, and they started the fire of London too. What japes!

The baker's shop on Pudding Lane.

The baker’s shop on Pudding Lane.

At its heart, this is another monster/alien invasion story. It shares similarities with The Time Warrior, with the Terileptil alien hiding out and controlling a group of humans with mind control devices. He also has an android that he dresses up as the grim reaper. It’s a shame that the Terileptil’s motives are so one-dimensional, despite the attempt to sympathise with him because he’s an escaped convict and has horrible scarring on his face.

The Terileptil costume features moving lips. While it's still obviously a man in a suit (complete with muffled voice), it's a good effort. The scarred face is quite freaky too.

The Terileptil costume features moving lips. While it’s still obviously a man in a suit (complete with muffled voice), it’s a good effort. The scarred face is quite freaky too.

But somehow, this story worked for me. It’s a standard formula, but it’s good fun. The supporting cast member who plays the thespian actor-turned-highwayman is a particular highlight. It’s always fun to see period characters responding to futuristic or otherworldly scenarios, and Michael Robbins plays the part wonderfully. He’s such a lovable rogue, I would have been glad to have him along for more adventures. Alas, we’re instead stuck with Adric, Tegan and Nyssa. To be fair, they’re not too bad in this and they work together well. There’s a bit of action, a bit of humour, a bit of horror. Standard stuff, but it’s competently handled.

The Doctor and Mace stand ready outside the Terileptil's crashed escape pod.

The Doctor and Mace stand ready outside the Terileptil’s crashed escape pod.

The fifth Doctor has had a little time to settle in now. He’s more ‘human’ than the last one; you tell when he’s nervous or frustrated because his voice goes high-pitched and squeaky, bless him! He’s also had a bit more physical action so far, getting into fights and so on. One final noteworthy event: the Terileptil destroyed his sonic screwdriver! I was distraught! I’m not saying he deserved to burn in the fire at the end, but, well, I can’t entirely blame the Doctor for not pulling them all out of it!

Kinda

The Tardis lands in paradise, a peaceful tropical planet inhabited by a docile native tribe (the Kinda). As is often the case, the planet is also being occupied by a research group headed by a brash military leader with a disregard for the local life. However, unlike previous stories, this one doesn’t quite go the way you might expect. It is, frankly, weird. Very weird. (You might even call it a Kinda Surprise – I’m sorry.) It’s as if Avatar met The Twilight Zone and they both got drunk.

There's some lovely direction in this story.

There’s some lovely direction in this story.

Credit where it’s due, however, as the dream sequences are very creepy, using a high contrast filter and bright lights to really bring out a strong visual style. Interesting video effects continue into the latter half of the story as well, during the prophecy sequence and the reveal of the Mara snake creature. It’s a good effort to make a studio shoot look a bit more dramatic and interesting. In the case of the dream sequence, it works really well. These are some bizarre if not unsettling scenes; Janet Fielding handles these well.

The Mara snake was, shall we say... ambitious?

The Mara snake was, shall we say… ambitious?

Watching Hindle and Sanders go from uptight military officers to playful children is an entertaining transformation. For a while, Hindle is the sort of character you just want to punch, but he gradually becomes more and more tragic as the effects of the telepathy take hold. Adric plays the role of the suck-up again, although at least this time he’s got an agenda. Tegan spends much of the story asleep or possessed, and Nyssa spends the whole time recovering in the Tardis. The Doctor is like a teacher on a field trip, but I like him. His comment about an apple a day made me chuckle.

Hindle descends into madness.

Hindle descends into madness.

This story is fun and weird, visually interesting but suffers from somewhat poor plotting and drama. I think it’s because it tries to establish a lot of rules but leaves it too long and then asks you to go along with it otherwise the plot makes no sense. Suddenly there’s a psychic box that turns you into a child, oh but only if you’re a man, but actually you might be alright anyway (and it also turns the power off?), reincarnation, a demon from a dream realm and did you know evil snakes hate mirrors or something? And we never see the missing research staff – what ever happened to them?

Four to Doomsday

In Four to Doomsday, the four-strong Tardis crew meets four people from four cultures in Earth’s history on a spaceship and the story lasts for four episodes. It doesn’t end in doomsday, though.

The Doctor is nearly beheaded and shot.

The Doctor is nearly beheaded and shot.

The spaceship is one of the more lavish I’ve seen in Doctor Who. I suppose it should be expected that production values gradually improve over time (it’s been nearly twenty years since The Sensorites), but this one is particularly spacious, multi-storeyed and detailed with sliding doors, lights and functional-looking equipment. I dare say, if shot on film, it would look almost movie-quality. Its leader, the green-skinned Monarch of Urbanka, is also made-up with well-realised prosthetics for the show’s time. He’s also quite a charismatic presence, despite his tyranny.

"His Majesty", the Urbankan Monarch.

“His Majesty”, the Urbankan Monarch.

His devious plan does rather fall apart under scrutiny. Going back and forth between his home planet and Earth, to pick up figures from history and turn them into robot slaves or androids, seems like an awful waste of resources. Admittedly, the android reveal is a good one, the nightmarish imagery of a face being lifted up to reveal a hollowed out head and a circuit board can never fail to have impact – but as a concept, this is starting to become a little overdone. What a nice surprise, then, that the Monarch turns out to be a fleshy after all, and foiled by his own poison.

The Urbankans turned the Greek Philospher Bigon into an android. They should have just let Bigon be Bigon. (I am so sorry.)

The Urbankans turned the Greek Philospher Bigon into an android. They should have just let Bigon be Bigon. (I am so sorry.)

Special mention must be made about this Tardis crew, because frankly I’ve not encountered such a tiresome bunch as this. Adric is especially irritating in this story, and it pleased me greatly to see him get his arse kicked by Tegan. Tegan is hysterical, and to be fair, that’s to be expected, as she grows frustrated with the predicament she’s in and everything that’s happened to her. Sadly, seeing her flustering about the Tardis doesn’t make for enjoyable viewing. Nyssa is actually okay, but much like the others, she’s not particularly good at acting, or the part is just woefully underwritten. She faints at the end of the story, probably because she’s bored and wants something to do.

"Weeeeee!!!!"

“Weeeeee!!!!”

The Doctor, thankfully, is likeable. He’s retained his wits, his cunning and his curiosity, but now he’s just so… pleasant. He’s more of a positive role model for the companions, I suppose. Less of a nutter. I don’t have any problem with his performance at all. I could grow to be quite comfortable with him as the leading man. The space jump sequence at the end of part 4 was quite utterly ridiculous, though. Let’s ignore for a moment the problem of surviving in a vacuum… the Doctor is saved by a cricket ball, really? Hmm, maybe that’s ingeniously funny; it just didn’t bowl me over.

Castrovalva

In the grand scheme of things, regenerations do not occur very often in Doctor Who, and new performances should be savoured and enjoyed while they last. In many respects, the writers seemed to agree here, as Castrovalva explores the nature of regeneration more than any previous story. This isn’t even really a story ABOUT anything else. It is just about the Doctor trying to find a place to recover (the Tardis’s “Zero Room”, and later the peaceful city of Castrovalva), and the Master using all the tricks at his disposal to finish him off while he’s at his weakest.

A confused Doctor roams the Tardis, looking for the Zero Room. That scarf didn't suit him anyway.

A confused Doctor roams the Tardis, looking for the Zero Room. That scarf didn’t suit him anyway.

So, Peter Davison. He has some big shoes to fill. On the face of it, he seems perfectly pleasant. A clean cut nice guy, but lacking that dark undercurrent that Baker had. To be fair, it’s really too early to pass any sort of judgement. I will say that, early on, he does a fantastic job of impersonating Patrick Troughton while, in a confused state, he relives his earlier years. He even calls his companions Jamie and Victoria at one point, a lovely touch. But he is quick to attain a sense of identity, casting aside the recorder, unravelling his scarf, and picking up some new clothes and a cricket bat. As he says, he’s not feeling himself anymore, he’s feeling whoever he is now, and it’s “absolutely splendid”.

Do not trust this man. Not because he's actually the Master, but because he appears to be wearing two hats.

Do not trust this man. Not because he’s actually the Master, but because he appears to be wearing two hats.

With the Doctor out of action for much of the story, it falls to the companions to push the plot along. Unfortunately, these characters are weak and there hasn’t been enough time to establish them yet, so it doesn’t work out so well. Tegan displays a protectiveness over the Doctor that betrays the fact that she’s only known him for a day. Not to mention her Aunt was recently killed by the Master and she doesn’t even bring it up again. As for Adric, getting captured by the Master was probably for the best, but how exactly did that happen from within the Tardis?

Adric caught in the Master's web. Like a fly caught in a... web.

Adric caught in the Master’s web. Like a fly caught in a… web.

The entropy theme has been ditched completely (recursion seems to be the new thing now!) and events just seem to conveniently “happen” as the plot demands, rather than naturally forming. The Master’s plan just comes out of nowhere and stretches believability. Still, he gets what was coming to him. Some of the concepts are great, like the recursive structure of the city and the perception filter on its inhabitants. The Tardis being sent backwards to “event one” and having to eject a portion of its own mass is also a cool concept. And, ultimately, I did enjoy the new Doctor struggling to find his feet and come to terms with his new identity.

Castrovalva, as designed by M. C. Escher.

Castrovalva, as designed by M. C. Escher.

On the whole, there’s some good stuff here, but I did find it a bit underwhelming. It’s early days, and there’s a lot of potential ahead. I only hope I don’t spend the next three seasons thinking “well, he’s good, but he’s no Tom Baker”.

Logopolis

The second law of thermodynamics states that entropy will always increase within isolated systems. Doctor Who states that the Universe reached the point of total breakdown some time ago, and it’s only thanks to the race of Logopolitans opening up the Universe to outside pockets of spacetime using the computational power of their minds, that we’re all still here to talk about it. Now, I’ve been a fan of sci-fi since my teens, but I must confess, I’ve never known a TV show to tackle such big ideas on such a regular basis. Granted, it makes mistakes and it’s often a bit silly, but I applaud the effort.

That neon logo is so outrageous it could get arrested by the Logopolice. (Sorry.)

That neon logo is so outrageous it could get arrested by the Logopolice. (Sorry.)

It’s also remarkable how it portrays these Universe-shattering events through a lens of the ordinary. This serial does look a bit cheaply made, in part due to half of it being set on Earth, on the side of a road, inside the Tardis, or in an alien facility that just happens to have been modelled on an exact duplicate of a radio telescope control room on Earth. But, for what it’s worth, I enjoyed the down-to-Earth nature of it and felt it was a fitting conclusion to the season. In particular, visiting the site of one of the last blue police boxes in the country in 1981 feels appropriate.

A nice model of the Logopolis landscape.

A nice model of the Logopolis landscape.

It’s also amusing how such a big event type story has such innocent beginnings, as the Doctor only intends to take his Tardis for a spruce-up, having spent much of the first episode talking to Adric about entropy, the chameleon circuit and police boxes. The Master preempts his plans by disguising his Tardis as another police box, leading to another brilliant Tardis-inside-Tardis sequence, and in the process picking up another stowaway in Tegan, the aussie air-stewardess.

The Doctor forms a temporary alliance with the Master, as portrayed by Anthony Ainley. Hints of Roger Delgado, but much more subdued.

The Doctor forms a temporary alliance with the Master, as portrayed by Anthony Ainley. Hints of Roger Delgado, but much more subdued.

With Nyssa returning from Traken, we have an excess of companions now. They don’t play much of a part in this story and feel superfluous, but I guess the foundations are being laid for the new Doctor’s stories.

Of the three companions, Tegan is potentially the most interesting, or at least the most human (literally), although her introduction slows the early pace of the story.

Of the three companions, Tegan is potentially the most interesting, or at least the most human (literally), although her introduction slows the early pace of the story.

Speaking of the new Doctor, this is of course Tom Baker’s final serial. While I will shortly lay down some thoughts on his epic run of seven seasons, for now I will say that his exit was dignified and without theatrics. Interestingly, he knew it was coming. So did I, of course, but the presence of the ‘Watcher’ was an unexpected twist on the regeneration process. Admittedly, I did twig early on that he was probably a future incarnation of the Doctor, but I expected a scooby-doo “mask reveal” scene, not what actually turned out to be a sort of ghostly extra life that absorbed into him. Thinking about it, that doesn’t really make much sense.

The actual regeneration sequence is elaborate, going from Tom Baker's face to a mask, to a made-up face and finally to a smiling Peter Davison.

The actual regeneration sequence is elaborate, going from Tom Baker’s face to a mask, to a made-up face and finally to a smiling Peter Davison.

And won’t somebody please think of the entropy? Did the giant satellite dish fix the Universe? Will Logopolis rebuild itself? Is it necessary any more? Don’t get me wrong, if there is a place for Universe-ending storylines, a season finale is probably it – but please don’t set up something that you can’t resolve before the time’s up. Then again, maybe the new fresh-faced fifth Doctor will clean up the Master’s mess. Here’s hoping!