The Two Doctors

Oh my giddy aunt! What the bloody hell did I just watch? You might think, from the name, that The Two Doctors would be a team-up of Time Lords on a lighthearted adventure against some iconic bad-dudes, particularly with the inclusion of Patrick Troughton as the jolly and childish second Doctor. What I didn’t expect was this utterly bizarre trip through cannibalism, torture and some the darkest and weirdest themes Doctor Who has ever tackled. Was this even considered a kids’ show by this point? The decline into dark themes has been gradual, I admit, but this is a world away from the sort of story The Five Doctors was, just a year or so prior.

Dastari and Chessene try to discover the secret of Time Lord symbiotic nuclei.

Things start off strangely in the second Doctor’s Tardis. Now, it’s great to see Frazer Hines back as Jamie, one of the longest-serving companions, but it is quite obvious that he’s nearly twenty years older. Even Patrick Troughton’s wig is now grey, and in addition to the clearly modern design of the control room, it suggests this version of the Doctor is set along some parallel timeline in which he never regenerated. He’s even on a mission for the Time Lords, which did not happen in the original timeline, and moreover the sixth Doctor has no memory of this adventure. But this is all completely ignored, and we’re supposed to accept that this all happened in the past (presumably between the points where Victoria left and Zoe joined). I gather there are some woolly ‘fanon’ explanations around for this, but it’s difficult to accept at face value.

The black-and-white opening catches you off-guard, before the colour (and wrinkles) return to their faces.

I like Patrick Troughton as the Doctor, and he’s still a pleasure to watch here, but it’s just not the sort of story that suits him. I won’t even get into the bizarre restaurant scene towards the end, because I’m not entirely sure I didn’t just dream the whole thing. Remarkably, though the villains of the piece are the Sontarans, the scariest villain here is undoubtedly the cannibal chef, Shockeye. I have to give credit to the performance; his heavy breathing and leering gaze as he eyes up his prey and sharpens his blades is truly unsettling. The script is dripping with descriptive prose about tearing tender human flesh from the bone and so on, it’s hard to believe that Robert Holmes wrote this as a vegetarian; it comes across more like he was just really hungry. Well, intentionally or not, he’s created one of the scariest villains in Doctor Who, ever.

Dressed for dinner, the Androgum-mutated Doctor and the chef head into town to sample the local cuisine.

Almost everything about this story has a wicked tone, from the computer that tries to casually murder them on the space station, to the repeated capture of the heroes. Poor Peri is attacked by Jamie, chased through the Spanish heat and knocked unconscious by Shockeye, is literally seconds away from having her throat cut, and goes through the whole ordeal in a skimpy little outfit. Jamie doesn’t fare much better; in fact no-one really comes away well. The poor lady of the villa gets casually offed in seconds, the truck driver is killed and so is Oscar the restaurateur when Shockeye stabs him. Yes, this is a Doctor Who story where a cannibal goes around bludgeoning an elderly woman and stabbing people. What the actual flip?

Peri and Jamie meet in less than ideal conditions. In fact, I think he tries to hump her.

And it’s another story where the Doctor blithely goes along with it. He puts Peri in danger repeatedly (the bit where he tells her to go into the dangerous house on her own is almost laughable; it’s like a horror parody), and he once again has little regard for life as he kills Shockeye with some cyanide(!!!). Although I can’t say he didn’t have it coming, did we really need the Doctor to offer another witty quip afterwards?

Continuing the theme of grotesque deaths, Stike the Sontaran gets burned by acid and then blown up.

Frankly, this is one of the strangest pieces of television entertainment I think I have ever watched. While there is an interesting central plot, lots of it is just weird tangential filler (possibly because the runtime is 50% longer than the current norm) and it’s just filled with really dark humour and unsettling scenes throughout. I can’t say it’s entirely without merit, because I’m all for pushing boundaries and trying new things, and I would much rather it be bizarrely interesting and darkly comic than, I dunno, boring and bland. But, just, wow. I’m lost for words. And I really fancy a shepherd’s pie.

The War Games

I must admit, I don’t know what the fate of Doctor Who was in June 1969, whether it was set to return for a new series, or if this was the end of the line… but watching this now, The War Games feels to me like a finale. A culmination of six years of time and space adventures, where the themes of the show – history, aliens, companionship – all come together in an epic conclusion. And where, six years after Doctor Who first appeared on television screens, someone finally utters those immortal words… “Time Lord”.

The Tardis lands in the middle of World War I… or does it?

I must also admit that I really liked this. I don’t want to go through the intricacies of the plot, as it’s one that’s worth discovering fresh, but it was extremely good sci-fi that reminded me of The Matrix (and other similar concepts). Alongside that, mysteries of the Doctor and his origins are finally revealed, friends depart forever, the Doctor is put on trial, and it all felt like the writers were going all-out on making this one epic conclusion.

The War Chief and The Doctor – Time Lords must run out of names pretty quickly.

I really liked the slow reveal of information, seeing the Doctor react to the realisation of who could be behind all of this, an insight into his character that we haven’t seen until now. Even at ten parts long (nearly four hours), it rarely felt like it was dragging, as each episode ends in some sort of cliff-hanger and I always felt compelled to watch the next part. Truly exciting stuff. Yes, some of the action is still laughably bad, the fights are often badly staged, but overall this had a compelling quality to it, enjoyable performances, a well-paced mystery and ended with the rarest of events… a regeneration.

Shhh… the Doctor sneaks into a 3D film.

Much of the plot whizzes by amidst the action, but towards the end things slow down, the Doctor reflects on his adventures and says goodbye to his friends.

As it appears this is where Jamie and Zoe are leaving the Doctor, it’s time to reflect on their characters.

Zoe wasn’t with the Doctor for all that long, and mainly served to replace Victoria as the obligatory young female companion. Her defining personality trait was her intelligence, which was occasionally (but rarely) used in the story to their advantage, not least of which in this story, where she is able to memorise the locations and names of the resistance fighters at a glance. When they first met, she was almost devoid of emotion, but it did seem like she developed a sense of humour and a friendship with her companions over time.
She ends up back where she left. The Time Lords send Zoe back to where she first met the Doctor and erased the memories of their adventures together. While she remains safe, I can’t help feel she’ll have lost a certain something… but from the way she looks back one last time, she has a vague recollection of what happened.

The Doctor, Jamie and Zoe make one last break for freedom before the Time Lords get them.

Jamie has got to be the longest-running companion yet. He came aboard alongside Ben and Polly, so I expected him to always be something of a third wheel. But somehow, despite everyone coming and going, he stuck it out until the end. He is fiercely loyal, morally-grounded and closer to the Doctor than any of his companions yet. Despite his 18th century highlander origins, he showed remarkable adaptability to whatever situation he was thrown into. He retains some mild misogynistic qualities, but his heart was always in the right place.
Like Zoe, the Time Lords returned him to his own place in time and space, with no memories of having joined the Doctor. I can only hope that something of their time together remains within him.

Awaiting his trial, the Doctor plays clock patience. Brilliant!

Now, with the trial over, the Doctor is exiled to Earth. Stripped of his visage and the use of his Tardis, he is forced to undergo a transformation. This is not the end… but a new beginning.

The Space Pirates

At first, this story is only tangentially related to the Doctor and his companions. The writer seems more interested in setting up this new sci-fi universe, filled with history, politics, corporations and… pirates.

The evil space pirates doing evil piratey things… in space.

Attacks on government satellites have finally caught the attention of the Space Corps, who track down a band of pirates who have set up an argonite smuggling operation with a seemingly legit mining company. The Tardis lands in the middle of a raid on one of the satellites, and the Doc and co find themselves shuttled back and forth, caught up in a sting operation, facing death at the end of each episode (although miraculously surviving, the big teases!), and eventually averting atomic disaster and stopping the pirates.

Captain Posh and Commander Yank. Maybe, I can’t remember.

A colourful cast of characters helps flesh out the story, with a bizarre mix of accents. The captain of the Space Corps cruiser sounds either ridiculously posh British or German. Or both, I’m not sure. The old timer space trucker Milo Clancy has one of the worst American accents I’ve heard since… well, since the wild west Doctor Who episode! Then there’s the woman in charge of the mining company, whose father is secretly still alive, and the evil pirate boss uses him as leverage to ensure her cooperation, because, y’know, he’s so evil. This sort of self-involved storytelling reminds me of some of the older William Hartnell episodes, except this has the advantage of being futuristic instead of some boring historical setting.

Milo Clancy sits down to eat breakfast in his cockpit.

The ships and sets and practical special effects are impressive for their time. The show seems to be using more miniatures recently, daring to be a bit more ambitious with its scenarios, which is good. I think Clancy’s old rocket ship might be the same one from The Seeds of Death, but I can’t be sure.

Only one of the six episodes remains complete – the rest are reconstructions and therefore a little harder to follow. If they were all complete, I think the story would be more bearable, but as it stands, it’s difficult to fully recommend it.

This is, thankfully, the last reconstruction I will have to watch. Every episode from here on is complete. This is quite a relief! Next is the final serial of Patrick Troughton’s adventures as the Doctor…

The Seeds of Death

Facilities on the moon are also becoming a ‘thing’ in this series. This makes sense, given the era it was made. The idea that all of Earth’s transport, communications or weather is controlled from an isolated point orbiting the planet is a compelling one, full of hope for the future.

The Doctor, Zoe and Jamie fly to the moon in a rocket ship. The Tardis is no good for short trips.

In this case, it turns into a weakness. It’s the 21st century (wow!) and Earth has not only developed teleportation technology (called T-Mat), but relies on it for all forms of transportation. So when the central control junction on the moon is attacked by martians, mankind is thrown into disarray.

Unlike the transporters from Star Trek, the T-Mat booths instantly teleport whatever is inside them without any theatrics or sparkles. It’s cheaper.

Yes, the Ice Warriors (from The Ice Warriors) are back, and they have their eyes set on conquering the Earth, using the moon as a jumping in point for their invasion. These heavily armoured reptilian creatures may be slow, but they are powerful and deadly, and easily take control of the moon base control centre. Using T-Mat, they teleport deadly fungus spores (seeds) down to Earth, which spread across the world and threaten to transform the atmosphere of Earth into a Mars-like one, killing all human life!

The Martian commander, because he has a different helmet. Same hissy voice, though.

I quite liked this story. It has its contrivances, though. I find it highly unlikely that the entire planet would rely so heavily on this one miraculous teleportation technology. When the world’s food starts running short, I just had to wonder “where are your aeroplanes? Where are your boats and trucks?” They have to bring an old rocket out of retirement just to get a team onto the moon to fix the T-Mat system. Additionally, the entire weather control system for the country appears to be located in an unsecure area, with an unlocked door, manned by a single person, with the controls freely accessible to anybody who enters. Madness!

The suds of death. The Doctor is engulfed in deadly spores.

My only other problem with this serial is the villains. Just like their last appearance, they’re one-dimensional single-minded creatures, lacking any complex motives. However, this suits the plot perfectly well, and on the whole, I found this very watchable and didn’t feel like it dragged on unnecessarily. It was also visually interesting, with good use of special effects for its time.

The Krotons

This era of Doctor Who seems determined to create as many new little waddling robots with silly voices as possible. The croutons… sorry, I mean the Krotons, are supposedly crystalline metal ‘creatures’ rather than robots as such, although the science is fuzzy, and they basically are robots, complete with claw-ended tube arms and deadly acid gas guns. Also one of them sounds South-African for some reason.

One of the two Krotons. Possibly the South-African one, I can’t recall.

A thousand years earlier, they conquered the planet’s inhabitants, the Gonds, and now they rule over them, forever unseen, hiding in the machinery underneath the Gond city. Now ruled as ‘gods’, they control the Gonds through lies and brainwashing, telling them that the wasteland outside is uninhabitable, and regularly selecting the most gifted candidates to join them as companions. What they’re actually doing once inside the machine is absorbing their brain waves to power their ship and then killing the unfortunate person afterwards with their deadly gas, which dissolves them into nothing.

The Gonds see their ‘gods’ for what they really are.

Such a delicate balance of lies obviously doesn’t take much to upset, and the Doctor’s arrival immediately raises questions and shatters the Gonds’ faith. This causes an uprising, forcing the Krotons to come out of hiding and accelerate their plans. The Doctor and Zoe have sufficient mental energy to fully charge their spaceship (poor Jamie doesn’t), but using some hastily made sulphuric acid, the Doctor manages to dissolve the Krotons and destroy their ship, freeing the Gonds, and teaching them a bit of chemistry in the process.

“It’s an umbrella. I have an umbrella now. Umbrellas are cool.”

This was another ‘unseen enemy’ type story, with rather bleak ramifications. Nonetheless, the Doctor has some comedic moments, exclaiming “great jumping gobstoppers!” and “oh my giddy aunt!” at one point. Gotta love him.

The Invasion

The second Doctor seems to attract Cybermen like a magnet! Now, I did see some images from this serial prior to watching, so the big reveal at the end of episode 4 was sadly not a surprise.

Oh, spoilers! Again! Sorry.

This time, we’re back on Earth, just a few years after the events of the The Web of Fear. The Colonel (now a Brigadier) Lethbridge-Stewart from that London Underground yeti attack now heads up a brand new government force called UNIT. A Cyberman invasion is in full swing and the stakes are high. This is certainly one of the more exciting storylines yet!

Brigadier Lethbridge-Stewart heads up the brand new UNIT.

Unfortunately, like many of these old serials, it suffers with being too bloody long! I don’t mind giving a story time to breathe, but eight episodes is just too much. Four or five would have been sufficient. It’s good, but it just can’t sustain suspense and drama over that length, although it does try.

The villain of the piece isn’t really the Cybermen, but the maniac who wants to bring them down to Earth and control them, use them as a force for conquering the world. Tobias Vaughn runs an electronics company with its innocuous-looking devices now installed all over the world, which instantly reminded me of 2006’s Cybermen two-parter (although this plays out quite differently).

Vaughn and the Doctor.

Vaughn is one of the more entertaining villains to watch. He’s deliciously evil, almost inhumanly so. But, despite his thorough planning and preparation, he is betrayed by the invading army and its commanding computer brain. Fortunately, his failsafe device, a machine for overloading the Cybermen with ‘emotional force’, acts as a successful weapon, and the Doctor is able to help UNIT to coordinate an attack on the Cybermen, blowing its attack ships out of the sky with missiles.

The Cybermen design changes again – note the new ‘earmuffs’. I like these ones the most so far.

There’s a lot to like here. Being set on Earth again means relatively higher production values, on location filming and outdoor action and setpieces. If anything, the direction lets it down a little – some of the Cybermen attacking just look a bit pathetic. There’s a sequence where Jamie is trying to get one of them off his leg as he pulls himself out of a sewer, and it’s just so blandly shot it looks daft and not the least bit menacing. Maybe they should have set the invasion at night, it might have looked better.

The Cybermen invade!

The UNIT characters are likeable chaps, as are the other extras – Isobel, the photographer and her uncle, Professor Watkins (whose house they visit looking for Professor Travers). The world of Doctor Who starts hanging onto familiar faces and enemies, setting in a sense of continuity while also opening up into bigger things. Certainly, this mission is too much for the Doctor alone, but he’s making a name for himself on Earth now.

The missing episodes, 1 and 4, animated by Cosgrove Hall studio.

A word on the restoration. For its DVD release in 2006, the BBC commissioned for the two missing episodes to be restored using 2D cartoon animation. Although they look a little like a cheap Flash animation at times, the art style is nice and some of the imagery is really striking. So much so, that when it reverted back to live action for the next part, I really missed it. A much nicer experience than watching telesnaps, although those are available too.

The Mind Robber

This is one of the weirdest Doctor Who stories I’ve seen so far, particularly part 1, which concludes with the Tardis exploding!

In an effort to escape from the volcanic eruption at the end of The Dominators, the Doctor has to reluctantly use an emergency function of the Tardis, which pulls it out of reality and into a dimension of thoughts and fiction.

A dimension of thought and fiction.

This dream-like setting allows for more than the usual dose of strangeness, since anything can happen. Fictional characters appear and disappear, giant toy soldiers hunt and attack the Doctor, Jamie and Zoe, who get separated, trapped or turned into cardboard cutouts. It has monsters, characters from books and legends, a unicorn, a minotaur, a futuristic comic strip superhero (who helps them) and a Medusa statue, with rather impressively animated snake hair.

The Doctor attempts to piece Jamie’s face back together… unsuccessfully.

I liked this story more when I had no idea what was going on – that sense of mystery is appealing. As the plot progresses over the five episodes and we learn there is a consciousness behind the events, it loses its appeal a little.

The rather impressive Medusa statue.

The man orchestrating everything calls himself The Master. Although seemingly unrelated to the Doctor’s future recurring nemesis, this is the second time a villain has called himself that, the first being The Great Intelligence from The Abominable Snowmen serial. As an aside, the Master in this story is being controlled by a computer brain containing a disembodied intelligence, although I’m not sure it’s related to The Great Intelligence either. Writers, get some original names please!

The Master(mind).

Due to illness, the actor playing Jamie is replaced for a couple of the episodes, but this is worked into the plot, as the Doctor tries to reassemble a picture of Jamie’s face and revive him, but picks out the wrong pieces! They could have written Jamie out for a while, or just recast him without saying anything, but they don’t do that here. I like that.

The Doctor, Zoe and Jamie are charged by a unicorn.

This is another story where the Doctor’s ‘superior mind’ overcomes being controlled, as he manages to re-write the fictional world to his own whims. A bit of a cheap get-out, but it was done in a funny way. The Master is rescued from the machine and they all escape as the universe around them ceases to exist. The exploded Tardis appears to reassemble itself and… that’s it, that’s how it ends.

Kinda weird, kinda funny, kinda creepy. I’m not quite what to make of it… but it was fun to watch.

The Dominators

A five-parter. With new girl Zoe now in tow, the Tardis arrives on a peaceful alien planet, with the Doctor fully intending to have a nice relaxing break. He’s been here before, an island on the planet Dulkis, whose inhabitants are total pacifists.

But they hadn’t always been. Unknown by the Doctor, the island was a testing ground for the planet’s only ever atomic weapon, nearly two centuries prior, and became an irradiated deathtrap that must never be visited. Luckily for the Doctor and co, an alien spaceship from a fleet of warlike Dominators happens to land minutes before the Tardis does and absorbs all of the island’s dangerous radiation into its energy cells. Not so lucky for the Doctor and co is the fact that the Dominators intend to enslave the people of Dulkis and use the planet’s natural energy for their own fleet of ships.

The Dominators land on Dulkis.

Given the era this was made, I suspect it was intended to play into the atomic war fears of the 1960s (Star Trek did similar things back then). The Dulcians have very silly costumes, even by Doctor Who standards. Really not very flattering at all, for either gender. The Dominators do have pretty cool costumes, however, with big arching shoulder mount things around their heads, and lots of funky tassels.

The Dulcians’ awful clothes.

It’s lucky that it’s only a scout party of two Dominators that lands on the planet, as the Doctor is able to defeat them. Their main weapons are little robots called ‘quarks’ that waddle around on stumpy legs and fire deadly lasers. As they are defeated one-by-one, it sparks arguments between the two Dominators, who disagree about whether or not to hunt down the slaves or concentrate the quarks’ dwindling power reserves on drilling through the earth. Employing delay tactics, the Doctor is eventually able to capture the Dominators’ explosive device and hide it aboard their ship, moments before lift-off, destroying them as they try to leave. Nevertheless, the island is evacuated and the Doctor, Zoe and Jamie run back to the Tardis as a volcanic erruption starts.

The ‘quarks’. Deadly robots. Honestly!

This wasn’t a particularly interesting story, although it was well-produced. A lot of miniatures were used (for the flying saucers and transport capsules, etc.) and there was an usually high number of explosions. The Dulcians’ technology was also quite utopian futuristic-y, with transport tubes, automated navigation capsules, and all the control panels in their city seemed to use non-touch motion gestures, pre-empting Minority Report by forty years.

The Doctor plays the fool for a while, to avoid arousing suspicion.

There was one other curious reference. When the Dominators scan one of the captured Dulcians, they mention that they have two hearts. Earlier in the story, when Jamie and the Doctor are captured, Jamie is also scanned, but they don’t bother to scan the Doctor because they assume his physiology is the same as Jamie’s. I wonder if this was just a coincidence at this point, or if this was when the writers started thinking about the Doctor’s alien physiology. It’s never really been brought up yet, aside from his extraordinary age and the fact that he can regenerate. In the previous story (The Wheel in Space), the Doctor is given a medical exam, including listening to his heart, and nothing unusual is mentioned. Not that it necessarily would be.

Anyway, enough rambling. Verdict: meh, average.

The Wheel in Space

I like the Cybermen episodes so far because they’re unannounced. Aside from ‘Tomb of the Cybermen’, they’ve all taken me by surprise. Unlike the Dalek episodes, where you know it’s a Dalek episode because it has “Dalek” in the title, you’re not just waiting around for the Cybermen to show up, they just suddenly appear. You see those unmistakable helmet handles and then “surprise! It’s a Cyberman episode!!”

Ooops, spoilers!

The Wheel’s control room.

The Wheel in Space is set on a wheel… in space. A rotating Earth space station that monitors stellar phenomena, and is armed with a laser for deflecting meteors and such. Doc and Jamie materialise aboard a seemingly abandoned spaceship that’s heading towards the Wheel, and only narrowly avoid being shot down by them as an off-course rogue ship.

The Cybermen are brought over in caskets.

Once aboard, things take a turn for the strange. Cybermats manage to get through the hull and sabotage the laser’s fuel rods, requiring a salvage operation aboard the rogue ship. This gives the Cybermen, who were hidden aboard it, their chance to get aboard the Wheel and start brainwashing the crew. The Doctor wasn’t anticipated in their rather convoluted plan to conquer the Earth (The Wheel provides a safe gateway to Earth, for some technical reason given in the eleventh hour), and his knowledge of the Cybermen is enough to fend them off. They’re blasted into space and their ship is blown up.

The Cybermen take control of the Wheel personnel.

This story struck me as rather similar to a lot of others in this series. It was perfectly enjoyable, but once again we have the corruptible power-hungry leader, the hidden enemy who no-one believes at first, the brainwashed humans acting against them in secret, and so on. Fury from the Deep, The Ice Warriors, The Moonbase… it’s a formula they seem to be sticking with. As I say, it’s perfectly fine, and there’s plenty of strong performances, but it’s getting a bit old.

Astronauts under ‘cyber-control’.

One of the station staff, the emotionally-crippled brainiac wondergirl Zoe, decides to stick with the Doctor and Jamie. Isn’t it a funny coincidence that new companions always join them on the very first mission after the previous one leaves?

Zoe and the Cybermen.

Six episodes seems to have become standard practise again, and this one does drag a little. It takes an entire episode just for the Doctor and Jamie to get off the spaceship!

Only two completed episodes of this serial exist, but Loose Cannon’s reconstructions are some of the most thorough I’ve seen so far (these are available on Youtube). Aside from the usual telesnaps and composites, they’ve reused bits of clips from the two available episodes wherever possible, and they even made some CGI sequences of the little robot, the Cybermats, the Cybermen and even the astronauts walking around. Impressive work, team!

Noteworthy mention: When interrogated about the Doctor, who is absent for episode 2 (having hit his head!) Jamie says his name is John Smith, seeing it on a label on a piece of equipment. The Doctor sticks with it as his name for the rest of the story.

Another noteworthy mention, not specifically about this story but classic Doctor Who in general… the supporting cast of characters are portrayed as actual intelligent and believable human beings. In modern stories (certainly in most ‘New Who’), the hero is the clever one, maybe the sidekick too, but the supporting cast are slow and dimwitted in order for the story to proceed and the hero to be seen as clevererererer. That doesn’t really happen here. It’s not all about the Doctor, he’s just a cog in the machine. Anyway, just an observation.

Fury from the Deep

Another monster storyline, which are becoming very prevalent in this series! I’m also noting a lot of research or science facility locations, often with power-hungry or corruptible leaders, and people infiltrating them or working undercover. Common themes here. I’m not complaining just yet, I prefer these types of stories.

The Doctor listens to the thumping sounds from the pipes… and then uses his sonic screwdriver for the very first time!

This one sees sentient seaweed creatures spreading across a network of natural gas rigs on the north sea by travelling through the pipes and spreading foam and poisonous gas everywhere. The gas controls the workers and the workers spread more of the seaweed around to infect other people.

The Doctor in the refinery control room.

They really tried to scare the pants off you back then. The pulsating heartbeat noises from the pipes are just as effective today – the creature (what I could make out of it from the images and surviving clips) was obscured enough by all the foam to remain scarily hidden. And the possessed people… oh my. If I was eight years old watching that clip of the wide-eyed ‘Mr. Quill’, bellowing out gas from his open mouth, face contorted in terror, I’d probably have had nightmares. Who needs CGI monsters when you have that?

The terrifying Mr. Quill.

Victoria screams a lot in this story, which for once actually turns out quite useful, as the sound of her scream apparently kills the seaweed creatures. They amplify her scream and send it through the pipework in order to kill the nerve centre and it works! It’s an abrupt solution – it’s previously mentioned that they’re also weak against pure oxygen, and it looked like a plan was being put into place for that, but it never went anywhere. It’s possible the ending was shortened, lengthened or rewritten entirely, but I don’t know. It just seemed a bit abrupt to me.

The head of refinery operation, Robson, is caught by the evil foam!

Notable in this story is the first ever appearance of the sonic screwdriver! Unbelievably, it was actually used to remove a screw (using soundwaves)! It’s also the first time I’ve seen the Tardis physically ‘land’ anywhere – it literally descends from the sky and hovers over the sea, then leaves again the same way (instead of dematerialising first).

Also notable is the first time a companion has remarked on how often they seem to arrive in England – Jamie mentions it shortly after they arrive on the shore. Another nod to the series tropes is when Victoria complains about how they always get into one spot of danger after another and never seem to land anywhere peaceful. It’s true enough – the Tardis must have some sort of “Adventure Detector” that guides it!

This final point actually pushes Victoria to the brink. Deciding she cannot take anymore ‘excitement’, she elects to end her adventures and remain behind. The final episode winds down a little earlier than normal as the Doctor and Jamie say goodbye to her.

This six-part serial was made up of all six reconstructions, again incorporating clips of the scary footage that was cut out from the overseas broadcasts.